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Marina Costa: A Driving Force of Bombarda
Founder of the iconic Artes em Partes, the Bombarda Shopping Center, and co-founder of the Associação Quarteirão Criativo — where she drives projects such as Bombarda Circular and Bombarda Maior — she has built a path marked by reuse, sustainability, and innovation.
“We want to build bridges, improve the street, and develop projects that involve the whole community.”
Creative path and identity
Q: Marina, how did your journey in the world of creation and independent retail begin?
A: I have a background in Graphic Design, but I quickly realized that wasn’t my path. When digital took over the field, I no longer saw myself in it. I’ve always loved working with my hands — mixing materials, restoring old pieces, giving new life to objects. My father had a large shop, Italusa, and that’s where I started: I created my first store, combining antiques, design, books, records, decorative pieces, and art. It was a very eclectic space that truly reflected who I am — someone who enjoys experimenting and bringing different worlds together.
The Artes em Partes project
Q: Artes em Partes was one of the projects that marked the beginning of the creative movement in Bombarda. How did that idea come about?
A: A friend and I were looking for a space to create something different — she wanted to open a café, and I wanted to stay connected to antiques and art. We found an old building on Rua Miguel Bombarda and decided to move forward. In 1998, we opened Artes em Partes. The idea was simple: bring together people from different fields and create a space for meeting and sharing. Each room in the house hosted a different project — shops, galleries, workshops, music, visual arts. There was an incredible energy.
Q: And what was the main goal of the project?
A: We wanted to give space to those who didn’t have one. To welcome independent artists and creators, experiment with new formats, and show that commerce could also be a cultural act. Artes em Partes was a living space that inspired many people and helped shape the identity of Miguel Bombarda.
From Artes em Partes to Centro Comercial Bombarda
Q: What led you to create Centro Comercial Bombarda?
A: When Artes em Partes came to an end, I felt that spirit couldn’t disappear. In 2010, the opportunity arose to occupy the space that is now CCBombarda, and I decided to apply the same philosophy, but in a more structured way. I’ve always thought of this place as a commercial gallery — a space with light, soul, and unique projects. I never wanted to create a traditional shopping center.
Q: What kind of projects do you look to host here?
A: Sustainable brands, artists, designers, and craftspeople who work with awareness and quality. I’m drawn to projects with a strong identity, that reuse materials, that tell a story. We also created Berdinho, the weekly organic market, which connects local producers with an urban audience. That’s what motivates me—bringing together people who believe in the value of things well made.
Community and future
Q: You are one of the founders of the Associação Quarteirão Criativo. What led you to create this structure?
A: It came from the desire to bring efforts together. I’ve been through several attempts at building associations on this street, but this one is different. The Associação Quarteirão Criativo was created to give a voice to those who are part of this ecosystem—artists, shop owners, gallerists. We want to build bridges, improve the street, and develop projects that involve the whole community.
Q: Which projects would you highlight at the moment?
A: Bombarda Circular, Afinidades, and Bombarda Maior are examples of how we aim to think about the city in a more sustainable and inclusive way. Bombarda Maior, for instance, involves people over 60 in creative and local support activities. It’s a way of creating bonds between generations and strengthening the sense of neighborhood.
Personal dimension
Q: Outside of work, what inspires you?
A: I enjoy jewelry-making, gardening, and building. I have a house in Alentejo where I spend hours restoring old things. It’s something that calms me and connects me to materials. I think that’s where my interest in circularity comes from—the idea that everything can be reused, transformed, and reimagined.
Q: And if you had to sum up Bombarda in one word?
A: Growth. Because this neighborhood is always evolving, just like the people who shape it. Over the past decades, Marina Costa has transformed ideas into places and places into communities. From Artes em Partes to CCBombarda, her vision has helped shape the creative and independent character of the district. In every project, there is a constant: the belief that when art and commerce come together, they can create something greater — a living space, full of identity and future.
With a background in Engineering and Landscape Architecture, José Pedro found in floral art a natural extension of a path long connected to landscape and botany.
Drawing on Eastern influences, modernism, tropicalism and a close relationship with place, he has developed a distinctive language where emotion, spontaneity and pragmatism coexist - always leaving room for surprise.
“I seek new ways to express the beauty and mystery of plants.” — Azuma Makoto
Q: How did your creative journey begin, and what led you to work with flowers and decoration?
A: I think it all began by chance, through a lot of trial and error. As part of my work as a landscape architect and farmer, clients began asking me to create floral arrangements. What initially started as an additional service gradually became something more serious.
Then came my sister's wedding, where I had complete freedom to create something different: a bouquet made from sun-weathered wood, green fruits and autumn flowers.
Q: Is there any training or experience that has particularly shaped your practice and your approach to floral design?
A: My background in Engineering and Landscape Architecture was fundamental in developing an aesthetic that combines emotion and seasonal materials with a touch of pragmatism and rationality.
The rest is refined through a great deal of work and practice. Sometimes working under pressure also helps a lot - it makes us resilient and focused.
Q: What are your main sources of inspiration - nature, art, fashion, architecture?
A: As I mentioned before, there are the influences from the East, my fascination with Arab culture, the sea and the landscape of the Ria de Aveiro.
Then there is architecture, the modernist movements and tropicalism, where I find an exoticism that is essential to my work. Roberto Burle Marx, Luis Barragán and our own Gonçalo Ribeiro Telles are some of my references - key figures in shaping a tropical, native and pared-back aesthetic.
“Less is more” is my new daily mantra.
Q: Is there any technique, visual language or trend that you are particularly excited to explore in the near future?
A: Beyond Japanese minimalism, I find a great sense of practicality in Nordic approaches - I am a fan of Belgian and Dutch designers - and I am fascinated by the art created by the German modernist movements.
And then there is the exuberance of Latin America. How could you not love the colours of Mexico, the aromas of Venezuelan cuisine or the flora of the Amazon?
The antipodes are the new trend of this decade…
Q: What does the Miguel Bombarda neighbourhood mean to you? Do you remember the first time you visited it?
A: I have been coming to Bombarda since 1995. That is 30 years of experiencing and discovering a vibrant neighbourhood full of hilarious stories.
For me, Bombarda's success rests on three fundamental pillars. First, Bombarda is feminine. Women are the heart of the neighbourhood.
They are the ones who keep things moving forward; their determination and strength of will are fundamental to helping this project grow and bear fruit. People talk a lot about female empowerment, but in Bombarda there has always been - and always will be - a distinctly feminine kind of grit.
“I think Bombarda is the Trojan horse of the city of Porto."
Second, Bombarda is like a three-Michelin-star restaurant where omelettes - the most delicious and delicate ones - are made without eggs.
Everything here is achieved through hard work and dedication, without major support, but with everyone's help. It is a very close-knit neighbourhood, and no one is forgotten.
And finally, I think Bombarda is the Trojan horse of the city of Porto. Bombarda exists to provoke. In Lisbon, Bombarda is associated with a psychiatric hospital; in Porto, we have a group of “mad people” who are constantly making things happen in the city.
I have always had the idea that Lisbon's cultural elite envied and aspired to Porto's Bombarda. And it is no coincidence that when we welcome clients from Lisbon - wonderful, much-loved clients - into our space, they always ask why there isn't a shop like this in the capital.
Portfolio
The practice of Violetas Creative Studio takes botany as a starting point, creating compositions in which flowers, foliage, fruits, textures and other natural elements become creative material.
Across floral design, decoration and events, each project seeks to establish a close relationship with the place, the moment and the people involved, privileging seasonality, sensitivity and the unique character of the materials.
Wedding and Social Event Decoration Floral arrangements and styling for weddings and social events, including decoration, floral design, drawing and illustration.
Floral Decoration with Ceramic Pieces Floral arrangement and decorative piece — Violetas Creative Studio. (Interior decoration featuring dried flowers and artistic ceramics.)
Handcrafted Lighting Handcrafted lamp created at Violetas Creative Studio. (A handmade piece focusing on texture, light and atmosphere.)
Custom Floral Arrangements Handcrafted bouquets and arrangements created by Violetas Creative Studio. (Handmade floral compositions tailored to each client’s style and occasion.)
How to Collaborate
Violetas Creative Studio is a space dedicated to art, botany, sensations and emotions.
It currently develops complete projects for social events and weddings, including decoration, floral design, drawing and illustration, with proposals tailored to each individual context.
To discover the work of Violetas Creative Studio, propose a collaboration or request a bespoke project, simply contact the studio directly.
In Bombarda, creativity is not confined to galleries or shop windows: it also happens in the ateliers and workshops that are part of the neighbourhood’s everyday life.
From metalwork and ceramics to furniture and designer objects, there are spaces where creation, production and presentation exist side by side. Places where you can meet the people behind the work, learn more about the materials and, sometimes, experience the creative process for yourself.
From the street to the studio, we visit five spaces that reveal a more intimate and handcrafted side of Bombarda.
Jewellery Experience
At CCBombarda, Jewellery Experience brings the world of jewellery closer to everyone who walks through its door. Created by designers Diogo Dalloz and Luma Boêta, it operates as both a shop and an atelier, presenting original pieces and bespoke projects. Here, jewellery can also become an experience.
The space offers different formats that invite visitors to discover the techniques and processes behind the craft, including jewellery-making experiences and workshops dedicated to creating wedding rings.
It is an opportunity to understand the work behind a piece — and, in some cases, to take part in creating it.
On Rua do Rosário, Tobe Atelier is Benedetta Grasso’s creative world, where jewellery and ceramics come together. Each piece is designed and handmade in Porto, celebrating the individuality of the materials and the subtle differences that make every object unique.
The atelier is both a place of work and discovery. Alongside its jewellery and ceramic collections, the project develops unique and bespoke pieces and hosts workshops where participants can experiment with both practices. Here, the handmade process is not hidden away: it is an essential part of each piece’s identity.
On Rua Adolfo Casais Monteiro, Ó! Cerâmica brings three dimensions together in one place: gallery, studio and shop. This combination naturally connects the exhibition space with the place where ceramics are imagined and made.
More than a place to find finished pieces, Ó! Cerâmica offers a closer look at a practice in which material, experimentation and creation are all part of the same journey.
It is a space that reveals Bombarda’s more hands-on, author-driven side.
At Alma Nova, furniture and objects for the home are given new stories. The project creates handcrafted furniture and home décor in Porto, focusing on individual pieces and an approach that values creativity and transformation.
Alongside its own creations, Alma Nova sources personalised pieces and gives existing furniture a new lease of life through creative interventions.
Its practical workshops add a participatory dimension to the project, inviting others to experience the pleasure of making things with their own hands.
Founded by Portuguese jeweller Ana Pina, Tincal lab is both a workshop and a gallery dedicated to contemporary jewellery. Based at CCBombarda since 2018, it brings creation, experimentation, exhibition and contact with the public together in a single space.
Under the motto curating and experimenting in contemporary jewelry, the project presents solo and group exhibitions, collaborations and workshops with guest jewellers, showcasing work by Portuguese and international artists.
More than a jewellery shop, it is a place to discover contemporary jewellery as a field of creation and experimentation.
In Bombarda, the distance between the person who creates a piece and the person who discovers it can be remarkably small.
These five spaces reveal a neighbourhood where ateliers, workshops, shops and galleries coexist, and where creative processes become part of the visitor experience. From ceramics and jewellery to furniture and designer objects, there are stories, techniques and materials to discover beyond the shop windows.
Discover Bombarda and what happens on the other side of the shop window, through the hands of the people who create here.
What can emerge from the encounter between an object with almost three centuries of history and Bombarda’s contemporary creative scene?
Afinidades is built upon this encounter between different periods, artistic languages and ways of seeing. In each edition, an object from the collection of the Soares dos Reis National Museum is chosen as the starting point, inviting artists connected to the Bombarda Quarter to develop new interpretations and establish relationships between heritage, place and contemporary creation. Following two editions dedicated to contemporary jewellery and ceramics in 2024 and 2025, the project returns in 2026 to explore a new artistic field: contemporary graphic practices.
The 2026 Edition — Contemporary Graphic Practices
Curated by Júlio Dolbeth, an illustrator, researcher and professor at the Faculty of Fine Arts of the University of Porto, this third edition invited artists working in or represented within the Bombarda area to create original works inspired by an object from the collection of the Soares dos Reis National Museum.
The project also features exhibition design by Sílvia Pinto Costa and production by Marina Costa and Vera Gonçalves, as part of a team bringing together members of both partner institutions.
The starting point was an English-style glass mug produced at the Royal Glass Factory of Coina between 1719 and 1747. Made from carefully cut, transparent colourless glass, the piece bears witness to the technical development of Portuguese glassmaking in the eighteenth century and to the circulation of knowledge and influences within the European context.
The transparency, brilliance, volume and history of this utilitarian object opened up multiple possibilities for interpretation. Through drawing, illustration, collage, printmaking and mixed-media practices, the artists were invited to translate matter into image and establish new relationships between object, memory and narrative.
The 2026 edition began on 28 March with a public session at the Soares dos Reis National Museum. The event introduced the programme, its source of inspiration, the curatorial approach and the open-call process, bringing together representatives from the Museum, Associação Quarteirão Criativo and the artistic community.
The presentation of the English-style glass mug by Paula Oliveira, manager of the Museum’s Furniture, Glass and Print collections, provided insight into the object’s historical, material and museological context. The session also revealed how an apparently simple object can hold multiple stories of production, circulation, use and transformation.
The programme extended beyond the open call. In May, the Museum hosted the Laminado Gráfico workshop, led by Júlio Dolbeth and Marta Belkot. Using Tetra Pak packaging repurposed as printing plates, participants explored the principles of intaglio printing and new ways of translating the volume and transparency of glass onto the surface of paper.
Through these different moments, Afinidades became more than an exhibition: it developed into a shared process of encounter, learning and creation involving artists, institutions and audiences.
Forty-Nine Interpretations of a Single Object
The outcome of this journey can now be seen in the exhibition Afinidades 2026 — Contemporary Graphic Practices, which opened on 25 July in the Sala das Pedras at the Soares dos Reis National Museum.
The exhibition brings together 49 works by artists connected to the Bombarda Quarter. Starting from the same object, each participant developed a unique interpretation, revealing the diversity of artistic languages, techniques and perspectives that characterises contemporary creative practice in the area.
Together, the works transform the English-style glass mug into a starting point for multiple narratives. Between the permanence of glass and the fragility of paper, between historical memory and a contemporary gaze, they show how heritage can remain alive when it is questioned, reinterpreted and brought into dialogue with new artistic practices.
Until 13 September, visitors can vote in person. The public vote, together with the jury’s assessment, will contribute to the selection of the winning work. The exhibition remains on view until 11 October 2026.
Afinidades thus establishes itself as a platform connecting the Soares dos Reis National Museum with Bombarda’s creative ecosystem. By bringing together heritage, place and contemporary creation, the project opens up new possibilities for discovery, both for Museum visitors and for those who live, work and create in the quarter.
Afinidades 2026 — Contemporary Graphic Practices Venue: Museu Nacional Soares dos Reis Dates:
Exhibition open until 11 October 2026
Public voting open until 13 September 2026
Photos: Associação Quarteirão Criativo, by João Octávio Peixoto
This edition of Afinidades is promoted by the Soares dos Reis National Museum in partnership with Associação Quarteirão Criativo, with patronage from the Super Bock Group, sponsorship from DORF and support from Círculo Dr. José de Figueiredo — Friends of the Soares dos Reis National Museum.
With a background in Fine Arts and a career spanning photography, design, ceramics, curating and teaching, Sílvia has developed a multidisciplinary practice in which different creative disciplines naturally inform and enrich one another.
At SCAR-ID, this journey takes shape through a curatorial approach grounded in quality, sustainability and the promotion of independent designers and makers.
"Ethics cannot be taught; it comes from within. Sustainability, in turn, is a responsibility that comes with the way we choose to position ourselves in society."
Q: How did your creative journey begin? How did it lead you to where you are today? What influence has your Fine Arts background had on your career?
A: My degree in Fine Arts at the Faculty of Fine Arts of the University of Porto gave me a broad foundation that allowed me to work across different creative disciplines over the years. I've worked in photography, ceramics, design, curating and teaching, and I feel that this education is the thread that connects all the professional experiences I've accumulated.
Interestingly, I haven't painted since graduating. Perhaps one day I'll return to it.
My career has unfolded quite naturally, without a defined plan. Each opportunity led to the next — from photography to teaching, from Art History to coordinating the Product Design programme at IAI, and more recently to ceramics, where I rediscovered the pleasure of working directly with the material.
Q: Has any particular education or professional experience shaped your perspective on the relationship between design, ethics and sustainability?
A: My background in Fine Arts was fundamental in developing a broad understanding of the creative disciplines. In the case of SCAR-ID, much of what we've learned has come through twelve years of hands-on experience, facing challenges and finding creative ways to respond to them.
Ethics cannot be taught; it comes from within. Sustainability is a natural extension of that mindset. By introducing new products into an already saturated market, we believe it is our responsibility to do so with a sense of purpose, encouraging more conscious consumption: buying less, but buying better.
For us, sustainability is above all about proximity, responsibility and care.
Q: How would you describe the curatorial approach behind SCAR-ID? What role does having a physical space play in the project?
A: Curating happens very organically. I'm constantly paying attention to what's happening across the creative fields, so whenever I feel the need to introduce a new brand, organise an exhibition or host a conversation, it all comes together quite naturally.
Having a physical space is absolutely essential. We work with tangible objects and real people, and the shop-gallery is where those two dimensions come together.
I strongly believe in the importance of a vibrant city — one shaped by independent shops, galleries, cafés, studios, florists and cultural spaces that bring urban life to the streets. I feel that SCAR-ID is part of that dialogue and that ecosystem. To me, maintaining a physical shop-gallery is almost a manifesto in support of urban life and human connection.
SCAR-ID simply wouldn't make sense without that physical space.
Q: What are the biggest challenges facing independent and sustainable design in Portugal today?
A: The main challenge remains the same: the limited purchasing power of Portuguese consumers. The products we present are fairly priced for the people who create them, but they are not always compatible with the country’s economic reality.
At the same time, small brands also face major production challenges. There is still limited openness within the industry to collaborating with independent designers and projects.
Q: What does the Miguel Bombarda neighbourhood mean to you?
A: We've been based in Bombarda for more than twelve years, and during that time the neighbourhood has evolved significantly. While it was once defined primarily by its art galleries, today it is also home to independent shops, studios, cafés, florists and many other projects that give it a distinctive character. It's this diversity that makes Bombarda such a special place to work.
There is a genuine sense of community, mutual support and closeness here. We know one another, we collaborate, and we know we can rely on each other whenever it's needed.
Portfolio
SCAR-ID brings together curating, independent design and artistic practice, showcasing independent brands, responsible production and projects spanning a range of creative disciplines, from ceramics to contemporary design.
SCAR-I10 — Open Call / Exhibition (2023) A project celebrating SCAR-ID's tenth anniversary, bringing together more than 50 participants through a multidisciplinary open call, a series of conversations and a final exhibition.
Liquid Amalgam — Stoneware Vase with White Glaze A ceramic piece created by the artist as part of SCAR-ID's 10th Anniversary Open Call. It is part of the ATER collection.
Jacket — Black Acrylic on White A piece from the ATER × LIV collection, created in collaboration with the brand LIV.
How to Collaborate
SCAR-ID is dedicated to curating and promoting independent designer brands and makers, bringing together fashion, accessories, ceramics and design objects produced with care and responsibility.
Alongside its shop-gallery, SCAR-ID also develops creative consultancy projects, curatorial collaborations, partnerships and mentoring for independent brands.
Whether you would like to discover the represented brands, propose a collaboration or visit the space, the SCAR-ID team is always happy to welcome new projects and new ideas.
In 2021, he founded Rádio YéYé, a digital platform he describes as "a reflection of the lifestyles that shape the contemporary urban fabric."
Built around a strong sense of community, intergenerational exchange and editorial independence, Rádio YéYé has quickly established itself as a platform for musical advocacy, collaboration and discovery. Bringing together dozens of presenters, DJs and creators, it is a radio station driven by people — not algorithms.
"A radio station driven by people, not algorithms."
In 2025, the project established its studio in the Miguel Bombarda Arts District, strengthening its connection to Porto's independent cultural ecosystem. It is a neighbourhood whose artistic energy mirrors the spirit of the radio itself: a collective project, open to encounters, experimentation and the discovery of new ways of listening to the world.
Q: How did your journey in music begin?
A: Forty-four years ago, as a DJ.
Q: Is there a project or collaboration that you consider a turning point in your career
A: Becoming an A&R at Nortesul Records, a role I held for 23 years (1994–2017).
Q: What challenges do you currently face in your field?
A: Finding sustainable ways to fund and support an activity aimed at niche audiences.
Q: What advice would you give to someone who wants to start a radio station?
A: Forget about it! :)
Q: If you had to choose three tracks as the soundtrack to Bombarda, which would they be?
A: Liquid Mountains — Sven Wunder; Canal — Pedro Mizutani & Skinshape; Enter — Leroy Conroy.
Portfolio
Rádio YéYé is dedicated to independent music and contemporary culture, producing a diverse programme that champions emerging artists, live performances, concerts and original editorial content from its studio in Bombarda.
DJ Sets (44 Years of Activity) — Over the past four decades, Pedro Tenreiro has maintained an active career as a DJ, shaped by a deep commitment to musical research, discovery and a lasting connection to urban music cultures.
Rádio YéYé — Digital Music Curation Platform — Founder of Rádio YéYé, a digital platform dedicated to reflecting the lifestyles that shape the contemporary urban landscape while promoting alternative ways of discovering and experiencing music through an active community of presenters, DJs and creators.
A&R at Nortesul Records (1994–2017) — For 23 years, Pedro Tenreiro served as an A&R at Nortesul Records, contributing to the discovery, development and artistic direction of a wide range of musical projects.
How to Collaborate
Rádio YéYé is currently focused on producing live performances filmed and recorded at its studio.
While the station is not accepting new editorial collaborations at the moment, it welcomes sponsors and strategic partners interested in supporting new live music formats and independent cultural content.
Bombarda is recognised as one of Porto's leading creative districts, where art, design, independent businesses and culture exist side by side. But there is another element that helps define the neighbourhood's identity: music.
More than a place to attend concerts, Bombarda is a place of discovery. Here you'll find spaces dedicated to vinyl, independent radio, cultural projects and creative communities that see music as a way of bringing people together, encouraging exchange and inspiring experimentation.
If you enjoy discovering new sounds, getting to know emerging artists or simply losing yourself among records and conversations about music, these five spaces are well worth a visit.
Matéria Prima
With more than three decades of history, Matéria Prima has become a landmark for anyone looking to discover music beyond the mainstream.
Specialising in vinyl records, books, magazines and independent publications, it offers a carefully curated catalogue while maintaining strong connections with independent labels and artists.
The venue regularly hosts presentations, launches and events dedicated to music culture, making Matéria Prima an essential stop for anyone eager to explore new sounds and independent musical projects. Know more
Open Box
Open Box is a cultural venue where different artistic disciplines come together, with music playing a central role in its programme. From intimate concerts and DJ sets to performances and multidisciplinary events, it offers opportunities to discover new artists and creative formats.
With a dynamic and ever-evolving programme, Open Box is a place worth keeping an eye on, as every visit has the potential to reveal a new experience—and perhaps even a new soundtrack for the neighbourhood. Know more
Circus Network
At Circus Network, music is an integral part of the project's identity.
Alongside its artistic and cultural programme, the space includes a Record Shop specialising in vinyl, where visitors can discover both new and second-hand releases spanning genres such as house, techno, jazz, soul, hip-hop, electronic and experimental music.
From record launches and informal gatherings to its strong connection with contemporary artistic practice, Circus Network is a place where music naturally intersects with art and visual culture. Know more
RÁDIO YÉYÉ
Yé Yé Radio has brought a new dimension to the neighbourhood by creating a space dedicated to independent radio and contemporary music culture.
Through regular broadcasts, curated shows, guest DJs and collaborative projects, it champions emerging artists and gives a platform to diverse creative communities.
More than just a radio studio, it is a meeting place where music is shared, discussed and celebrated, contributing to the cultural diversity that defines Bombarda. Know more
Mint Mint
For those who enjoy the experience of discovering music in physical format, Mint Mint is a must-visit destination.
Specialising in vinyl records, the shop offers a carefully curated selection spanning a wide range of genres and eras, making it a meeting point for collectors, DJs and anyone eager to explore new sounds.
Throughout the year, Mint Mint also hosts listening sessions, presentations and small-scale events that strengthen the connection between music and Bombarda's creative community. Know more
In Bombarda, music lives far beyond the stage.
It can be found in record shops that celebrate vinyl culture, independent radio stations that showcase emerging talent, and cultural spaces where different artistic expressions come together.
Each of these places contributes, in its own way, to the neighbourhood's creative identity, inviting visitors to experience music in a more personal and spontaneous way.
Drop by without a plan, let curiosity lead the way, and you might just discover your next favourite record—or your next playlist.
